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By Donald S. Lopez Jr.

Curators of the Buddha is the 1st severe background of the research of Buddhism within the West and the 1st paintings to carry the insights of colonial and postcolonial cultural reports to undergo in this field.

After an outline of the origins of Buddhist stories within the early 19th century, the essays concentrate on very important "curators of the Buddha," reminiscent of Aurel Stein, D. T. Suzuki, and Carl Jung, who, as they created and maintained the self-discipline, performed an important position in disseminating wisdom approximately Buddhism within the West. The essays deliver to lifestyles a few of the vital yet unexamined social, political, and cultural stipulations that experience formed the process Buddhist reviews for greater than a century—and have often distorted the knowledge of a posh set of traditions. individuals Charles Hallisey, Gustavo Benavides, Stanley Abe, Luis Gómez, Robert Sharf, and Donald Lopez problem the most enduring rules in Buddhist reviews: that Zen Buddhism is, in particular, an adventure; that Tibetan Buddhism is polluted, or pristine; that the Buddha photo is of Greek or Roman starting place; that the classical textual content supersedes the vernacular, because the manuscript supersedes the informant; and lots of others.

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125 (page citations are to the 1896 edition). 21. On this portrayal of India, see Ronald Inden, "Orientalist Constructions of India," Modern Asian Studies 20, no. 3 (1986), and Imagining India (London: Basil Blackwell, 1990), esp. pp. 85-130. 22. Philip C. Almond, The British Discovery of Buddhism (Cambridge and New York: Cambridge University Press, 1988), p. 12. 23. On the later forms of Buddhism, Rhys Davids wrote, "But each of these beliefs breathes more or less of the spirit of the system out of which they all alike have grown, and most interesting it is to trace the causes which have produced out of it such different results" (The History and Literature of Buddhism, p.

Based on what little we already 49 50 CHARLES HALLISEY know, we can see that it will make it more difficult, albeit in a small sphere, to discuss "the West" and "the Orient" as radically distinct entities. But, more importantly, such investigations may make the basic assumption of Said's critique of Orientalist representations problematic itself, by making it difficult to interpret Orientalist representations as being primarily embedded in European culture. More research on later Theravädin literature will, of course, show the inadequacy of the work by Hardy, Bigandet, and Leclère, and eventually replace it.

Based on what little we already 49 50 CHARLES HALLISEY know, we can see that it will make it more difficult, albeit in a small sphere, to discuss "the West" and "the Orient" as radically distinct entities. But, more importantly, such investigations may make the basic assumption of Said's critique of Orientalist representations problematic itself, by making it difficult to interpret Orientalist representations as being primarily embedded in European culture. More research on later Theravädin literature will, of course, show the inadequacy of the work by Hardy, Bigandet, and Leclère, and eventually replace it.

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