By Gregory William Mank
Dracula and Frankenstein's Monster are horror cinema icons, and the actors such a lot deeply linked to the 2 roles additionally shared a special friendship. Bela Lugosi and Boris Karloff starred in dozens of black-and-white horror movies, and through the years controlled to collaborate on and co-star in 8 video clips. via dozens of interviews and wide archival study, this enormously elevated new version examines the Golden Age of Hollywood, the period during which either stars labored, recreates the capturing of Lugosi and Karloff's mutual movies, examines their ordinary and relocating own dating and analyzes their ongoing legacies. beneficial properties comprise a completely exact filmography of the 8 Karloff and Lugosi movies, complete summaries of either men's careers and greater than 250 images, a few in colour.
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Extra info for Bela Lugosi and Boris Karloff; The Expanded Story of a Haunting Collaboration
Nothing creates such a joy of living as being active. ” Tuesday, May 26, 1931: “26 ON UNIVERSAL’S NEW SEASON SCHEDULE,” headlines Motion Picture Herald. One of the 26 features is Frankenstein, “with Bela Lugosi in the title role; adaptation by John L. ” Florey and Garrett Fort were writing their screenplay based on this adaptation; although the Monster of Webling’s original play was sympathetic, the Monster of the Fort and Florey script was simply a mute, howling beast, while Frankenstein was a smug mad scientist who bullies his creation with a whip and hot poker.
Ten days after the test, Hubbard Heavy provided a meaty account of Bela’s Frankenstein casting in his column, published the next day in the San Diego Union, complete with a portrait of Bela sans makeup. )— What probably will be one of the trickiest jobs of makeup since The Hunchback of Notre Dame will be seen when the picture Frankenstein is released. Bela Lugosi, in the starring role, will be built up, with makeup and padding, to resemble the eight-foot superman Mary Goodwin [sic] Shelley, wife of Poet Percy Shelley, wrote about in 1817.
He made ﬁlms in Hollywood, notably MGM’s The Thirteenth Chair (1929), as the dynamic Inspector Delzante — directed by Tod Browning (who, many believe, saw The Thirteenth Chair as Bela’s audition for the ﬁlm of Dracula). And in a bizarre irony, as his fame increased, this remarkable man — handsome, brilliantly gifted, rich in dramatic training, remarkably generous— would give his audience, as was his nature, just what it wanted. The big-hearted Bela now played the Dracula star, the half-mad actor who claimed to believe in his own supernatural powers.