By Michael Siebenbrodt
Bauhaus : 1919-1933
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Extra resources for Bauhaus 1919-1933 : Weimar, Dessau, Berlin
It now came also from representatives of the SPD and there were even tensions with the mayor of Dessau, Hesse. This transferred to parts of the population, whose reservations against the Bauhaus increased as well. Dessau’s lower middle class in particular considered what was carried on in the school as a danger to public order. The Bauhaus was denounced as a breeding ground for “cultural bolshevism” and avoided by many Dessau citizens. Gropius was constantly busy with battles for the survival of the institution, and when internal problems also increased he gave up.
It can be suspected that Gropius saw his goals fulfilled particularly in the pedagogical sector with the establishment of an architecture department and that he was now lacking 30 Hannes Meyer before the drawing table, c. 1926 motivation for further school experiments. Along with Gropius, László Moholy-Nagy, Herbert Bayer and Marcel Breuer also left the school. Hannes Meyer took office as Bauhaus director on 1st April 1928. In the 1920s, he had been one of the most prominent representatives of a radical scientific functionalism with ideologically left-wing views.
Josef Albers now explained to us how well the material had been understood, how well it had been used In 1927, Bauhaus Journeyman Erich Consemüller was commissioned to make photographic documentation of the Dessau Bauhaus with approximately 300 images. The fifty-five published images of the preparatory course show more than 120 works which allow for a systematic overview: drawings, material collages, touch boards, cut and folding exercises in paper, tin metal and cellophane, construction and solidity studies as well as plastic material exercises with wires, straws and thin wooden sticks.