By Jared Schickling
Poetry. "The poems of Jared Schickling's AURORA are extraordinary by way of their parenthetical titles, titles which function interludes as in '(war on the street) / (or, be aware To Self)' or as digressions, suggesting that the poem services past or with out its body, this body of the name being ancillary instead of constitutive. during this approach, the elements should be learn as an extended poem, break up into 3 components and those 'titles,' strains of the poem. there's a bird's-eye cohesiveness to the publication in that even the visceral moments of the lyric 'I' or the attentiveness to others and the banality of the typical are positioned in the world. The identify indicates a type of cosmic order. AURORA is the sunrise or the Roman goddess of the sunrise, a figurative gesture at holding time. but, "aurora" is also learn scientifically because the luminous phenomenon of emissions of sunshine occupied with the planet's magnetic box. technology and poetry, cosmic order and the quotidian undergo a resemblance to new technology; Schickling greets one of these resemblance no longer by means of expounding on order or principles of order"--J'Lyn Chapman.
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Extra resources for Aurora
There, alone in the clearing, there on the old stump a colony of mushrooms. gutsy bulls-eye center metropolis and sprawl island oasis orange and red in a tangle of green–vague to itself, forced inward frail in the presence of bigger things unknown things its potential a fine powder thick blanket, further exclusion the gift of all just waiting for the wind not so very different… 46 (salt) Christmas came by the number, two degrees a nylon snowman deflating. The hairdryer’s an impotent well, extension chords lazy with the whirring gears of a jingle box.
Belonging is labeled on the side of an empty milk crate, good for carrying especially those of Signature, things representing an easier of what choices. for reason. time not as soft as we’d like it to be we think today, distances gauged distances from me. how edges gravitee corners, how the flies have gone. no position will today simply and tomorrow I’m reading the cats “Female Orgasm as Proof of God for all its evolutionary principle. cats, in faith. 5. o newspaper, street sleeper out and out goes up up up windows, closer in terms, how dawn halves the city glinting, and only sidewalks needed electricity, eyes and eyes and eyes dream, pigment, like coral lighted grid–gray enough just street side walks needed graffiti o some planks of wood 56 and we shed a breezy pier picnic grass the song of feet breaking from New York out to river 6.
Steel rods. where the grass ends is a trampled fence and paths down. 44 (a pastoral) a time there was spent scribbling squares black the wood floor was false, put in the outside turning of limbs, curling when from a window seen and walking out, what wilting petals stay, bits of green and rain, in the wind a cat the gray swaying of curvatures of trees, hazy blocks of chimney. inside the floor was swept. 45 (a day at the lake) in the woods along the cliff that is the shore the shade was good. there, alone in the clearing, there on the old stump a colony of mushrooms.