By Sandra Annett (auth.)
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Extra info for Anime Fan Communities: Transcultural Flows and Frictions
The theme of movement features strongly not only in its distribution as a product and its properties as a medium, but also reflexively in its content, as the subject matter of many of the earliest silent films. In the introduction to his Before Mickey: The Animated Film 1898–1928, Donald Crafton notes that “the first [stop-motion] animated films were concerned with making objects appear to move with a mysterious life of their own” (1993, 7), highlighting the creation of motion. ” (103, 105), demonstrating in content the new medium’s capabilities as machine.
Indeed, the term “community” has been so widely and differently defined in everything from business to journalism to activism that many scholars have begun to criticize its overuse, particularly in relation to new media. Some find it too loaded, preferring terms such as “network” (Castells 2010), while others have “decried [both ‘community’ and ‘network’] as being so diverse in their understandings and applications as to be almost useless” (Willson 2010, 749). There have been calls for redefinitions and protestations of the need to get “beyond the diluted community concept” (Fernback 2007, 49).
Fuji’s work is at times quite reflexive, but often in different ways from that of contemporary American studios. ” It also makes gestures toward color through the use of a filter that renders all white areas of the image cherry-blossom pink. The main title of the short features a prominent circular logo marked “Columbia” in English, with the phonetic Japanese translation “Columbia Record” appearing underneath, among images of slowly turning concentric circles and rounded flower shapes. ” The music plays on over pastoral and at times vaguely surreal paper cut-outs of human-sized dancing cherry blossoms with legs and a little boy wooing a kimono-clad girl who appears in the sky.