By Ülo Pikkov ; [translated by Eva N̈aripea].
Defining animation --
Tracing the ancestry of the lively movie --
Animation (film) as communique --
On time within the lively movie ; Case learn: long gone with the wind / Ülo Pikkov (2009) --
On constitution within the lively movie ; Case examine: Little condo / Kristjan Holm (2009) --
On the credibility of lively characters ; Case learn: Laika / Märt Kivi (2007) --
On realism within the lively movie ; Case learn: within the air / Martinus Daane Klemet (2009) --
On storytelling within the lively movie ; Case learn: Dialogos / Ülo Pikkov (2008) --
On area within the lively movie ; Case research: Divers within the rain / Priit and Olga Pärn (2009) --
On characters within the lively movie ; Case learn: Crocodile / Kaspar Jancis (2009) --
On sound within the lively movie ; Case learn: Kitchen dimensions / Priit gentle (2008) --
Milestones of animation. DVD: long past with the wind / Ülo Pikkov (Silmviburlane, 2009) --
Little condominium / Kristjan Holm (Estonian Academy of Arts, 2009) --
Laika / Märt Kivi (Nukufilm, 2007) --
In the air / Martinus Daane Klemet (Joonisfilm, 2009) --
Dialogos / Ülo Pikkov (Joonisfilm, 2008) --
Divers within the rain / Priit and Olga Pärn (Joonisfilm, 2009) --
Crocodile / Kaspar Jancis (Joonisfilm, 2009) --
Kitchen dimensions / Priit delicate (Joonisfilm, 2008).
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Extra resources for Animasophy : theoretical writings on the animated film
In the animated film, moreover, time is also manipulated; its 52 ON TIME IN THE ANIMATED FILM even flow is disrupted and temporal orders are often multiplied. This self-destructive and forking paradigm of time in the animated film also evokes timeless space. Timeless space, in turn, endows the animated film with great symbolical value. Time is the most important agent of the animated film, its invisible protagonist. The animated film provides an opportunity to manipulate time, but under no conditions can time be ignored.
Have also created flip-books for purposes of marketing and advertising. The characters of the earliest animated films frequently migrated from newspaper comic strips: ‘[S]ome of the earliest characters to be featured in animated series were based on human figures found in print media. Perhaps the first animated stars of American animation were the characters of ‘The Newlyweds’, a series animated by Emile Cohl begin- 30 TRACING THE ANCESTRY OF THE ANIMATED FILM ning in January 1913 that was based on a well-known comic strip by George McManus.
Furthermore, the 2010 Winter Olympics held in Vancouver presented three mascots inspired by traditional First Nations creatures, thus offering a symbolic reconciliation between the indigenous peoples and later emigrant settlers. Puppets also create a forum for discussing complex and difficult issues. For instance, after the Rwanda and Burundi genocides, UNICEF sponsored pacifist puppet shows in refugee camps (Blumenthal 2005: 189). Animistic characters have been created on all continents and among all nations.