By M. Makinen
Christie's books depict girls as adventurous, self reliant figures who renegotiate sexual relationships alongside extra equivalent strains. girls also are allowed to disrupt society and but the texts refuse to work out them as double deviant due to their femininity. This publication demonstrates precisely how quietly innovatory Christie was once relating to gender.
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Additional resources for Agatha Christie: Investigating Femininity
As I have discussed elsewhere1 , Andrew Forrest’s detective, in his 1864 The Revelations of a Lady Detective, acknowledges the sleaziness involved in spying on society and devotes her opening chapter to trying to justify this duplicity. Anna Katherine Green, the ‘mother of the detective novel’ (starting with The Leavenworth Case in 1878), creates a busybody spinster, Miss Butterworth in That Affair Next Door (1897), to exploit this nosiness. Both in her Autobiography2 and in the Poirot novel The Clocks,3 Christie pays testimony to the influence of the phenomenal bestseller of its time, The Leavenworth Case.
P. 47) and his boss, Grant, acknowledges ‘ “I take my hat off to the woman. , p. 46). Ingenuity, bravery and quick-wittedness are celebrated in the feminine heroine. , a focus is also placed on motherhood; in relation to Tuppence, concerned about her children fighting in the war, the spy M masquerading as a mother using an interned Pole’s child as camouflage, and the vindictive German Anna whose son died in the last war. , p. 114) – and the Biblical reference to the judgement of Solomon (where a mother selflessly gives up her claim to her child rather than see it harmed), the textual depictions are of a more violently dangerous, ferocious delineation of motherhood, not the usual loving nurture.
In a Christie novel, young men are often frivolous sex objects, and appreciated as such, while young women are the solid breadwinners. 75 However, Gill argues in relation to the biographical material that this is because Christie ignores her social contexts and retreats into her own unconscious to create these fantasy characterisations that fight shy of gendered expectations. 79 Light raises two important issues in relation to previous studies of Christie, which prove vital for my analysis. 81 Since my own thesis argues that Christie, while conservative about issues of mutating class structures, proves questioning and challenging in relation to a whole range of available modern femininities, this is an important thesis that has gained stronger ground during the twenty-first century.