By Annemarie Bean
A Sourcebook on African-American functionality is the 1st quantity to contemplate African-American functionality among and past the Black Arts stream of the Nineteen Sixties and the hot Black Renaissance of the 1990s.As with all titles within the Worlds of functionality sequence, the Sourcebook comprises vintage texts in addition to newly commissioned items through striking students, writers and performers. It contains the performs 'Sally's Rape' via Robbie McCauley and 'The American Play' through Suzan-Lori Parks, and springs entire with a considerable, ancient creation by means of Annemarie Bean.Articles, essays, manifestos and interviews integrated hide themes such as:* theatre at the expert, progressive and faculty levels* live performance dance* neighborhood activism * step exhibits* functionality art.Contributors comprise Annemarie Bean, Ed Bullins, Barbara Lewis, John O'Neal, Glenda Dickersun, James V. Hatch, Warren Budine Jr. and Eugene Nesmith.
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Extra info for A Sourcebook of African-American Performance: Plays, People, Movements (Worlds of Performance)
That’s it. Perhaps. Maybe could there be a slight possibility that your place is kinda—now mind you, we ain’t saying for sure—but maybe it’s kinda awful— (becomes serious) Yeah. That’s the white man for you man. Always understating things. But 4 THE BRONX IS NEXT 49 since both you and I know that these places are shit-houses that conversation can end now. JIMMY: What they say ’bout the dude, Charles? CHARLES: (turns to white cop) Oh everything is cool. You can leave man when you want to, but first have a cigarette with us.
Here, fill up your glass again, man. JACK: (to Clara) Aren’t you drinking with us? CLARA: Later. Big Girl doesn’t allow me to start in drinking too early. JACK: (confused) She doesn’t? BIG GIRL: (cuts in) Well, in Baby Girl’s case I said to myself that I’m teach’n her how in front and lettin’ her use what she knows whenever it builds up inside. And it’s really good for her, gives her spirit and everything. CLARA: That’s what probably warped her brain. BIG GIRL: Hush up! You knows it was dat fuckin’ disease.
JIMMY: Yeah. I got one in my place during the year I lived here. It’s No. 48 I THEATRICAL IN(TER)VENTIONS 210–1st floor—1C—back apartment. I’ll stay here with this socializing dude while you call. ) WHITE COP: (takes out some cigarettes) Want a cigarette? JIMMY: Thanks man—in fact I’ll take the whole pack. It’s going to be a long night. WHITE COP: What do you mean a long night? JIMMY: (smiling) Jest what I said man—and it might be your longest— (laughs) —maybe the longest of your life. WHITE COP: (puffing on cigarette—leans against garbage can) What’s your name son?