Edited by way of major experts at the topic, and bringing jointly a stellar forged of individuals, this certain appraisal of Pedro Almodóvar’s precise cinematic paintings examines the subjects, kind, and aesthetics of his oeuvre and locates it within the context of the profound cultural modifications in Spain because the 1970s.
• Brings jointly a stellar solid of participants from around the globe together with well-known and verified experts in addition to proficient more youthful scholars
• positive factors contributions through Spanish movie historians, the place experiences of Almodóvar’s paintings were underrepresented within the educational literature
• Deploys new techniques to the research of movie authorship via exploring contextual concerns equivalent to Almodóvar’s transnational allure and the political dimensions of his works
• lines the director’s fruitful collaborations within the components of artwork and layout, style and track
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Additional info for A Companion to Pedro Almodóvar (Wiley-Blackwell Companions to Film Directors)
Vernon Guinean-Spanish Concha Buika. Tracing the mutual benefits arising out of these sustained artistic alliances between director and singer, both within and beyond the films, Vernon reveals the intricate workings of Almodóvar’s global musical imaginary. Continuing the emphasis on the role of music and sound that constitutes a significant subtext to this volume, Marvin D’Lugo explores the ways in which the geopolitical aesthetics of Almodóvar’s cinema advances the sense of transnational Hispanic identity, largely through the emphasis on a complex acoustic blending of Latin-American and Spanish musical sounds in his films.
Malden, MA: Wiley-Blackwell, pp. 581–596. Foucault, M. (1977). Language, Counter-Memory, Practice. Edited with an Introduction by Donald F. Bouchard. Ithaca, NY: Cornell University Press. Introduction 17 Galt, R. and Schoonover, K. ) (2010). Global Art Cinema: New Theories and Histories. Oxford: Oxford University Press. Gerstner, D. (2003) The Practices of Authorship. In: Gerstner, D. and Staiger, J. ) Authorship and Film. New York and London: Routledge, pp. 3–25. Harguindey, A. (2011). ” El País Semanal (August 21): n.
J. (2003). “Resurrecting the Art Movie? ” In Contemporary Spanish Culture: TV, Fashion, Art and Film. Cambridge: Polity, pp. 144–168. Staiger, J. (2003). ” In D. Gerstner and J. ), Authorship and Film. New York: Routledge, pp. 27–57. pART I Bio-Filmography 1 Almodóvar’s Self-Fashioning The Economics and Aesthetics of Deconstructive Autobiography Paul Julian Smith There seems little doubt that Almodóvar is now the most successful Spanish f ilmmaker of all time, whether that success is measured in terms of financial or symbolic capital.